PDF copies and complete portfolio available upon request
AiPT Comics
‘Mr. Boop’ creator Alec Robbins on boundaries, creative control, and his creative future
Collider
‘Yellowjackets’: In Praise of Misty, TV’s Newest Anti-Hero, Who You Can’t Stop Watching
‘Succession’s Power Couple Is Doomed to Fail: The Problem With the Roman/Gerri Relationship
Netflix Employees Organize Walkout in Support of Trans Colleagues, Release List of Demands
You Need to Put Cult Horror Classic ‘House’ on Your Halloween Watchlist
‘The Suicide Squad’: The Bizarre Empowerment of Polka-Dot Man
‘Possession’ Gets 4K Restoration and New Theatrical Release
‘The Matrix 4’ Quietly Adds Christina Ricci to an Already Impressive Cast
Consequence
The Janes Is a Timely, Tight-Knit Oral History of Underground Abortions: Review
Stranger Things Recap: Before You Watch Season 4, Here’s What Happened In Season 3
Every Sam Raimi Movie Ranked From Worst to Best
Better Call Saul Recap: Get Ready for Season 6 By Remembering Season 5 (and Breaking Bad)
Dread Central
Have We Learned Anything From ‘28 Weeks Later’?
Confronting My Parasitic Paranoia With ‘Hellbound: Hellraiser II’
Fangoria
/Film
The Top 10 Found Footage Alien Horror Movies
The 2022 Emmys Ignored The Best Miniseries (And Best Performance) Of Last Year
Homelander Has Some Very Screwed Up Ideas About Women’s Bodily Autonomy (How Apropos)
What The Black Phone Does Better Than Actual True Crime Stories
Why The Wire Couldn’t Work Before the HBO Era
An Ode to the Fascinating Acting Career of David Cronenberg
Film Cred
Good Luck, Mister Liu: ‘New York Ninja’ and the Lasting Importance of “Bad” Films
I’ve Prepared for ‘Woodstock 99: Peace, Love, and Rage’ Since I Was Born
Sundance Review: ‘I Was a Simple Man’
Little White Lies
Bodies Bodies Bodies – first-look review
Soft & Quiet – first-look review
The best international genre films at the 2021 Toronto International Film Festival
Roger Ebert
Undone Seeks Answers and Closure in Sublime Second Season
Vulture
What to Watch, Read, and Listen to After Gaslit
We Are Horror
They Want Life: Kairo, Pulse, and The Failure of the Asian Horror Remake Craze