selected works

PDF copies and complete portfolio available upon request

AiPT Comics

‘Mr. Boop’ creator Alec Robbins on boundaries, creative control, and his creative future

Collider

‘Yellowjackets’: In Praise of Misty, TV’s Newest Anti-Hero, Who You Can’t Stop Watching

An Examination of ‘Dexter: New Blood’s Baffling True-Crime Podcast (and What It Says About How Hollywood Sees the Genre)

‘Succession’s Power Couple Is Doomed to Fail: The Problem With the Roman/Gerri Relationship

Netflix Employees Organize Walkout in Support of Trans Colleagues, Release List of Demands

You Need to Put Cult Horror Classic ‘House’ on Your Halloween Watchlist

‘The Suicide Squad’: The Bizarre Empowerment of Polka-Dot Man

‘Possession’ Gets 4K Restoration and New Theatrical Release

‘The Matrix 4’ Quietly Adds Christina Ricci to an Already Impressive Cast

Consequence

The Janes Is a Timely, Tight-Knit Oral History of Underground Abortions: Review

Stranger Things Recap: Before You Watch Season 4, Here’s What Happened In Season 3

Every Sam Raimi Movie Ranked From Worst to Best

Better Call Saul Recap: Get Ready for Season 6 By Remembering Season 5 (and Breaking Bad)

Dread Central

Have We Learned Anything From ‘28 Weeks Later’?

Confronting My Parasitic Paranoia With ‘Hellbound: Hellraiser II’

Fangoria

Feeling Seen in Saw

/Film

The Top 10 Found Footage Alien Horror Movies

The 2022 Emmys Ignored The Best Miniseries (And Best Performance) Of Last Year

Homelander Has Some Very Screwed Up Ideas About Women’s Bodily Autonomy (How Apropos)

What The Black Phone Does Better Than Actual True Crime Stories

Why The Wire Couldn’t Work Before the HBO Era

An Ode to the Fascinating Acting Career of David Cronenberg

Film Cred

SXSW Review: ‘X’

Good Luck, Mister Liu: ‘New York Ninja’ and the Lasting Importance of “Bad” Films

Review: ‘Malignant’

I’ve Prepared for ‘Woodstock 99: Peace, Love, and Rage’ Since I Was Born

Review: ‘The Amusement Park’

Sundance Review: ‘I Was a Simple Man’

Little White Lies

Dashcam

Bodies Bodies Bodies – first-look review

Soft & Quiet – first-look review

The best international genre films at the 2021 Toronto International Film Festival

Roger Ebert

Undone Seeks Answers and Closure in Sublime Second Season

Vulture

What to Watch, Read, and Listen to After Gaslit

We Are Horror

They Want Life: Kairo, Pulse, and The Failure of the Asian Horror Remake Craze

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