Film Cred

Features

Good Luck, Mister Liu: ‘New York Ninja’ and the Lasting Importance of “Bad” Films

I’ve Prepared for ‘Woodstock 99: Peace, Love, and Rage’ Since I Was Born

How a Show About White Billionaires Became the Definitive Program of the Moment

Reviews

SXSW Review: ‘X’

SXSW Review: ‘Deadstream’

Fantastic Fest Review: ‘Beyond the Infinite Two Minutes’

Fantastic Fest Review: ‘There’s Someone Inside Your House’

Review: ‘Malignant’

Tribeca Review: ‘Last Film Show’

Tribeca Review – ‘God’s Waiting Room’

Tribeca Review: ‘Werewolves Within’

Review: ‘Sound of Violence’

Review: ‘The Amusement Park’

Review: ‘Come True’

Sundance Review: ‘Mass’

Sundance Review: ‘I Was a Simple Man’

Sundance Review: ‘How It Ends’

Sundance Review: ‘Censor’

Nightstream Review: Bleed With Me

Review: Tesla

Zine Contributions

Film Cred Zine – October 2020
Film Cred Zine – November 2020
Film Cred Zine – December 2020
Film Cred Zine – January 2021

Film Cred Zine – April 2021

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